Mika Henning ist Djane & Producerin aus Hamburg.
Sie ist bekannt durch ihre traumhaften Techhouse Sets und ihr besonderes Gespür für das Publikum und die Melodie die gleichermassen Frauen wie Männer begeistert. Jeden Winter im Januar / Februar entflammt sie mit ihrem besonderen Stil die Südafrikanische Szene. Auch in Italien hat sie sich schon einen Namen gemacht und spielte dort bereits mehrmals zu den Filmfestspielen in der angesagtesten Bar / Club in Venedig im Palazzina Grassi.
In München stand sie bereits im Pacha und in Hamburg findet ihr sie u.a. im Nikki Tiger, in der Slide Bar / Club, im Quer Club und in der Location Edelfettwerk
... to be continued
Jared Austin aka Tim Staadler has been in Buisness for over 28 years as a DJ & Music Producer.
As Event-Organiser, Club-Owner and Studio Proprietor he has accumulated extensive experience both in North German and also International Locations. Through more than 20 years working with Vinyl an individual and open experimental Style of his own has developed emphasizing Hi-Hat doubling a)nd Bass Fusions.
The Permanently pulsating sound with Custom Touch beckons to the dancefloor irresistably.
Mika & Austin
Mika & Austin
DJ producer duo playing B2B. The project Mika & Austin fullfills a long yearing DJ ambition to fuse live B2B production with techhouse beats, build for the crowd, which gives a new creative inspiration.
Mika & Austin release their first Single called "Paris" on the 10th of May 2019.
watch out for more...
Sascha had his stage debut back in 1998 at the "Backyard Club", a popular hotspot for excellent electronic music on the worldwide known party-island of Koh PhaNgan in Thailand. After a very short time he became a resident-dj at the "Backyard Club" and played more than 50 gigs at this unique venue and at their special parties deep in the jungle or on secret beaches all around the island.
He quickly made himself a well known name on Koh PhaNgan, resulting in another residency at the infamous Fullmoon-Party. The island, this club and all those experiences with internationally mixed up crowds in some really special moments, gave his dj-ing this extraordinary note, which eventually helped him to soon become a well known dj in Germany and many other countries aswell.
After more than 15 years on stage, Sascha played countless gigs in different kind of clubs, parties or festivals all over Germany, in Austria (Vienna,Salzburg), Switzerland (Zuerich), Italy (Rome), Netherlands (Amsterdam), Israel (Tel Aviv), Indonesia (Bali), Thailand (Koh PhaNgan/Koh Tao/Bangkok), Hungary and many other places. Also his gigs on the techno stages of well known festivals such as the Fusion Festival or Wonderland Festival proved his great variety. His recordbox always contains many different styles which gives him a lot of space to bring in fresh influences and new ideas. Even if rooted in progressive house, he´s not limited to one particular style as he also features the deeper sides of tech-house, minimal techno, minimal electro and other sounds with that certain deepness or progressive feel, he´s known and loved for.
In 2008 his debut EP "Never Trust The Drugweib" got released on Dezign Music from Greece. The track revealed Sascha´s clubby side and gained him his first recognition as a producer. Further releases followed quickly and his first vinyl release, a remix on "Tomic - Taktgefuhl" by Fraud Recordings (Germany), made it together with the original to No#1 on the Juno Records (UK) Progressive ouse charts. His second EP "Plateau Playground" got released on Attitude Recordings from Canada and took a deeper electro-tech direction. Appearances on well known labels such as Plusquam Division (Ger), Baroque Records (UK) and Twisted Frequency (UK) followed and there are more to come.
Stefan Schoenewerk, aka MELLOWTRON, was born and raised in the city of Hamburg/Germany in 1967. Hamburg is well known for its vital and creative music scene, and a wide variety of artists, clubs and musical venues that emerged in the 1950´s, where many international music artists (The Beatles, Rod Stewart, Al Jarreau, The Monks, Chet Baker, Joe Cocker, etc) started their carriers in the world of music. Stefan´s musical journey began early on in life and at the age of twelve he stepped into a local record-store, where he purchased his first 12-inch vinyl, titled "touch too much" by AC/DC. Funk & Soul music hit the most responsive chord within...now Stefan was on the mission to get his hand on any and every album that had contributed and left an impact on this type of music. Being completely taken by "the magic of the vinyl" he quickly turned into a passionate and obsessed record-collector. Stefan and his friends started to visit record-auctions, swap-meets and yard-sales, to dig through the crates of used records searching for any kind of rarity in Jazz, Funk & Soul. Suddenly realizing that he had turned into a "vinyl-junkie," developing an addiction to Funk & Soul music in no time, Stefan happened to meet Lutz Gehrke, owner of "Starpoint Records" in Hamburg. A connection for life!!! Source of Stefan´s daily needs, and where he soon became Gehrke´s first employee and record-dealer.
One day when visiting a professional DJ-friend he learned how a professional DJ is really set-up, and for the first time and started to imagine the endless opportunities of two flats and a mixing-console! Within a year he was able to afford a decent mixer and two units of the turntable SL-1200/MK2 by Technics, widely regarded as one of the most durable and reliable turntables ever. Still to date the "workhorse" of the industry, ...also referred to as "1200", "Tee 12´s", "Technics", "Tec 12", "wheels of steel" and "ones and twos" (if you didn’t know, there is a model of the MK2 in the Science Museum in London as one of the pieces of technology that has shaped the world we live in) Inspired by New York´s Kiss FM DJs such as Chuck Letter and others, Stefan started to create his own mixing-tapes, which he exchanged with friends and music lovers, who also shared the very same passion and taste in music. These "Schoenewerke Tapes" soon became hot-ticket-items quickly and eventually brought in his first gig as a DJ, with many more to come!
In the late 80’s Stefan upgraded his equipment with a sampler "Roland S50" and a "Yamaha SY85" synthesizer, plus an "Atari 1040ST," one of the first Cubase versions for Atari. He started to compose his own musical ideas as well as collaborations with musician-pals and friends. From the year of 2005 forward the "Ableton Live" software represents the spinal-column of all productions coming out of Schoenewerke Studio.
He experimented with more progressive sounds and rhythms, such as Techno and House music and at that point MELLOWTRON was born. Stylistically influenced by Jazz, Funk, Soul, Rap, Hip-Hop and House music he developed more of an interest for the world of electronic sounds and music. Stefan liked to keep his mind open and always tried to stay away from being categorized in genres. Later on he stated: "I always thought that music had no boundaries, no limits to where it could grow and go, no restrictions on its creativity. Good music is good no matter what kind of music it is.And I hated categories. Always thought it had no place in music.
"Nowadays Stefan is mixing along the lines of Soulful House all the way to Psy-Trance,. When he is touring and contracted as a laptop-DJ, he mainly works with "Traktor Pro." You will be surprised when you find out that Stefan´s right arm is partially paralyzed, especially when you see his performances in clubland or listen to one of his many CD-releases.He masters the given challenges of a turntable-technician easily with one arm, where most DJs need at least two arms to work with. If you ask Stefan about his musical ambition he humbly states: "I believe that if I would not have to put up with this handicap, I would be a piano or guitar player. I always had the strong desire to play a real instrument. Fortunately I am able to compensate this by taking full advantage of what modern DJ-technology has to offer. DJ-ing is my way of bringing the music I love and adore to the people and audiences of the dance-floor across Europe. Indeed, the separation between all of us can be rendered non-existent by music. There is only one of us and that´s the final magic of music! Music has always found its way to us. It has always found me, and with God´s blessing and permission, it always will."
Kalkhooven & Staadler
Kalkhooven & Staadler
Trademark of the DJ Duo Kalkhooven & Staadler is a continous and mostly self Produced sound of Dry Hard Technoid Bass Riffs - with calculated breaks and melodic phrases which cool the crowd down only to re-animate them with Throbbing Sub Bass and permanently pumping Bass thunders which challenge every dancer anew.
The Project Peter Kalkhooven & Tim Staadler fullfills a long yearning DJ ambition to fuse Live production feelings with a Self- made-Sound custom built for the Crowd and which gives Creativity new aspirations.
(alias Pete Pellerito) is a DJ and Producer more than 30 Years. Si ce the early 90’s Peter Kalkhoove has produced Techno, House und Electronica whilst actively performing as DJ in similar Genres. Numerous Productions, Re-mixes and Projects including: Pete Spacecube, Trancefusion, Soylent, AcidTribe, are accredited to his Highlights. As DJ Peter Kalkhoovens (Pete Pellerito)can be found in Hamburg and Berlins Trend-Scene-Clubs. His unmistakeable Sound reigns throughout his Productions and Live Performances as DJ and Live Act.
DJ / Producer - has worked in close co-operation with established Hamburg Recodi g Studios Boogie Park and the Proprietor Herbert Böhme, together they have produced Re-mixes for numerous Artists including Deep Forest, Sean Kingston, Erick Morillo, Deichkind and Jan Delay.
Through his work with other Artists Tim Staadler has accumulated valuable experience as a Live Act and also in the Production Studio.
Pete discovered his Flair for Dj Mixing and Electro-Produc ons in the early 80’s.
He learnt the Basic Lends of Turntable mixing at 16 with the help from established Djs from the Legendary Zeppelin in Stelle and later The ‘VooDoo’ in Lüneburg.
Gripped by his Fascina on for the Synthi-Sound he founded “SOHT” - a Duo with Klaus Bartels.
Electro, EBM and Elektro Punk were the Themes of their rst Produc ons. 1990 turned his a en on to Acid and Chicago as well as Detroit House.
He changed his DJ Name to Pete Spacecube and as Producer “Acid Tribe”.
As Pete Spacecube his resonance at the Co-founded Club Meineid began to in uence the Club scene...
...resultng in numerous Gigs, Live-Acts and General Releases which to this day boast something special
...His Musical Signature!
Today Petes unmistakable Sound is a Symbiosis of Pulsa ng Basses which repeatly climb to a never-wan ng-to-end Climax. Interna onal stops and residences which have in uenced Pete along his Journey are....
London, Miami, Neapel, Berlin and Hamburg.
Rene Schwedlers roots are not located in techno music. As a 15 year old teenager he was infected with turntablism, and he was not cured from his addiction so far. Coming from a small town by the baltic sea in old east germany, he made it to be a respected personality in hamburg, the big northern capital next to berlin. He was bookd to play at parties with pop acts like stereo mcs and though his music is electronic it is quite close to pop. Ashes on the dancefloor is definnitely nothing for the minimalist purists, but hey, who wants to be boring anyway?
Luke Francis has always been fascinated by passionate music.
He was born on the 17th August, 1980 and already as a teenager he was "rocking the decks" in his free time and making his first experiences in producing club music.
He also began to organize huge parties on Hamburgs Reeperbahn District, which often meant he´d be spinning the records at events such as the notorious and highly secret "White Room".
Whilst performing at said parties, he took the chance to play music he had produced himself in order to see reactions of people on the dancefloor. His music has long been considered very energetic and very danceable.
After 2000, Luke expanded his DJ gigs throughout Europe by playing in clubs like "Southside", legendary "Beachclub Kility", "Palace" and countless other well-known venues.
In 2007, he had the idea to re-produce The Bomb (these sounds fall into my mind) by renowned act "The Bucketheads". The works original writers were so impressed by Luke´s production that within a notably short space of time it was signed to reputable Dance label "Kontor Records".
Luke is now working on a follow-up single and his first full-length album which he hopes will express his "deep and undying, endless and infinite passion and his seriously unquenchable thirst for music, all music".
Watch out for Luke Francis...
Ichso Erso ist ein Kind der elektronischen Musik und mit dem Hamburger Label Tach & Nacht groß geworden. Kein Wunder also, dass es ihn früher oder später dazu zog, selbst das Mixen anzufangen. Zuerst im privaten und recht schnell auch der Öffentlichkeit präsentierte er seine Sounds einem begeisterten Publikum. Seit mittlerweile 3 Jahren ist der Nachwuchskünstler fester Bestandteil von Veranstaltungen in und um Hamburg. Seine Zuhörer fesselt er dabei mit einer Mischung aus melodischen Tech und Deep House, mit einem Spritzer Club Sounds auf den Boden der Tanzfläche. Dem Motto "Das Leben ist schön, vor allem wenn man die Menschen tanzen sieht!" geht er dabei voll in seinem Element auf und nimmt seine Crowd mit auf eine elektronsiche Soundreise bis zum Morgengrauen.
Ichso Erso ist irgendwie anders -
Er versteht sich selbst als eine Art "Hommage" an die Dualität des Seins.
Durch die verschiedenen Blickwinkel auf ein und die selbe Sache ergibt sich ein immer wieder neuer Standpunkt der Tatsachen. Was darauf schließen lässt; nichts ist absolut, eher relativ zu sehen, eben auch ein oder das Bewusstsein.
Ich bin weil ihr seid,
und dafür bin und fühle ich mich dankbar!